The influence of gaslight or electric light on the growth of paraheliotropic trees

bonebrushing the edges of the res interna (upper transcend)

The Hot One Hundred

  1. Bruce Nauman — all of it
  2. sigmar polke – paganini
  3. mike kelley
  4. richard prince
  5. andy warhol
  6. donald judd
  7. jmw turner
  8. bridget riley
  9. kasimir malevich
  10. duchamp
  11. joseph albers
  12. agnes martin
  13. piet mondrian
  14. jasper johns
  15. sol le witt
  16. ellsworth kelly
  17. Thos. gainsborough
  18. Rothko
  19. robert ryman
  20. Frank Stella

Possibilities

Creative Thrift Shop
http://www.creativethriftshop.com/Exhibition/2009htm/PR_LivingFrameII.htm

Notes on the Saatchi Collection (Ovation TV)

Damien Hirst. The Physical Impossibility of Death in the Mind of Someone Living.
http://en.wikipedia.org/wiki/Damien_Hirst

David Falconer. Vermin Death Stack; Vermin Death Star
http://www.artnet.com/artist/693649/david-falconer.html

Jake and Dions Chapman – Hell. The Chapman Family Collection.
http://en.wikipedia.org/wiki/Jake_and_Dinos_Chapman

Peter Davies. The Hot One Hundred.
http://www.saatchi-gallery.co.uk/artists/artpages/peter_davies_hot_one_hundred.htm

Tracy Emin. I’ve Got it All.
http://en.wikipedia.org/wiki/Tracey_Emin

The Storm (v. 0.1)

In the beginning, one must assume that there was nothing — no matter, no energy, no time — Tohu v’Bohu. Formless. And Void. But there was an Egg. An Egg of Infinite (Nearly) Potential. And the Egg’s name was named Ananke. And then — let us suppose — there was something — Genesis describes it as the spirit of God, moving across the Deep — modern science might designate it as random repeating pseudoquantum fluctuations — some sort of bubbling — a frothiness — and in the strange nonlight of the Egg, within its structure, where all things are possible and time was without meaning, the most unlikely of events become possible through the calculating potential of an Unlimited and Unlimiting Present.

And thus the world was born — with Egg and the Spirit mingling and tearing itself apart — like a wound in God’s side. One imagines that some part of this diety is deeply disturbed by this wound, and wishes nothing more than for it to close. Is there another part that keeps the wound open? Like mighty hands pushing aside the waters of a fiercely flowing river to uncover a bed of dry land? This river — raging on either side of this fragile temperate voidspace is the Storm.